IAF informed that there are no survivors from the crash of An 32 aircraft.Twitter/ANISix bodies and remains of seven others were recovered from the crash site of An-32 in Arunachal Pradesh on Thursday, June 20. The bodies and the remains will be taken to the Indian Air Force base in Jorhat.The wreckage of the missing aircraft was located by a Mi-17 helicopter of the IAF on June 12.The aircraft’s cockpit voice recorder (CVR) and the flight data recorder or the black box were also recovered. The black box has suffered damage and an investigation by the Air Force to find out the actual cause of the crash may take more time, a defence spokesperson was quoted as saying in several media reports.The IAF had confirmed on June 13 that there were no survivors in the crash site of its An-32 aircraft. Taking to Twitter, the IAF had tweeted: “Eight members of the rescue team have reached the crash site today morning. IAF is sad to inform that there are no survivors from the crash of An-32.”The Russian-origin An-32 aircraft went missing after it took off from Jorhat air base in Assam at 12.25 pm on June 3 for the Mechuka Advance Landing Ground in Arunachal Pradesh. The plane’s last contact with ground agencies was at around 1.00 pm on the same day, within 33 minutes of taking off.Total 13 members, including eight aircrew and five passengers, were on board the aircraft.Those killed in the crash were identified as Wing Commander GM Charles, Squadron Leader H Vinod, Flight Lieutenant MK Garg, Flight Lieutenant S Mohanty, Flight Lieutenant A Tanwar, Flight Lieutenant R Thapa, Warrant Officer KK Mishra, Sergeant Anoop Kumar, Corporal Sherin, Leading Aircraftman SK Singh and Leading Aircraftman Pankaj.IAF had deployed a Sukhoi-30 aircraft in addition to a fleet of C-130J and An-32 planes and Mi-17 and ALH choppers for the operation. The ground forces included troops from the Army, Indo Tibetan Border Police and state police.
There are more “copy masters” and fewer trendsetters among those playing the sarod these days, laments maestro Ustad Amjad Ali Khan, saying the focus for performers today is the “shining, glittering” world of television and social media. “Since they have access to content and recordings especially on YouTube, it’s easy for them to imitate any sarod player. So, now we have lots of copy masters in the country. The trendsetters are very, very rare,” the 72-year-old music guru said. Also Read – Add new books to your shelf”Globally, there are about 500 sarod players. Unfortunately, instead of learning and understanding the depth of Indian classical music, every sarod player has a very strong opinion,” he further explained being very sad about the present state. “The focus is only to perform because of the glittering, shining world of television and social media where you can post anything and say anything,” the sarod virtuoso maintained. Khan is sixth in the lineage of a family devoted to Indian classical music’s Senia Bangash Gharana. The 2001 Padma Vibushan recipient first performed when he was just six years old. Also Read – Over 2 hours screen time daily will make your kids impulsiveKhan, who was trained by his father, Gwalior court musician Hafiz Ali Khan, said he couldn’t think of doing anything other than playing the sarod as its sound had a global appeal. “It was my duty, my pleasure, my passion to carry on the family tradition,” he said, referring to the work of the generations before him and his ambition to take it forward. “I wanted to make the canvas much larger, much bigger, and be more expressive on the Sarod,” the widely-heard musician added. He also pointed to the differences between his learning days and the present day. “I didn’t have access to tape-recorders because there was no money to buy them. There was no television; One could only hear music through All India Radio. “There used to be a very important programme on Saturday night which I heard, called the National Programme of Music,” he recalled. On teaching his own sons, Amaan Ali Bangash and Ayaan Ali Bangash — themselves established names in the field of sarod — the Ustad said that it was a big responsibility.”Teaching my own sons was not my decision. They showed interest and positive signs, and then I shared everything with them,” he said. “I tried to introduce music to Amaan, my elder son, from his very early days. I tried interesting methods to teach so that he doesn’t find it difficult.” Ayaan, his younger son, soon followed in his footsteps, and as per the music maestro, both of them are on the “right track” in life. After rendering the National Anthem on sarod, they recently turned to the bhajan “Vaishnav Jan To”, which Mahatma Gandhi held close to his heart. They rendered it an an HCL concert, part of a monthly series, here last week. His association with Gandhi goes back to his 125th birth anniversary, when he played an improvised ‘Baapu Cause’ ‘raga’ at a Unesco commemoration in Paris.IANS